It's Been a Long Time Coming
Y’all, it’s bittersweet! For the past 5 ½ years, I’ve been sharing a studio with the fabulous Lucy MacQueen, and what an incredible journey it has been. We dove in as a dynamic duo, tackling art fairs, riding the rollercoaster of art sales, laughing endlessly, and sharing a lot of wine along the way. But as time passed, our work began to outgrow our shared space—it was bursting at the seams.
When a studio opened up just two doors down, I knew it was the perfect opportunity. It allowed us to remain close while giving each of us the room we needed to grow—kind of like parenting my kid! This transition has been wonderful for me. My art now has its own dedicated space to breathe, sing its song, and fully shine without needing to balance with another artist’s vision.
I just wrapped up the 2024 Austin Studio Tour, and it was truly amazing. Visitors commented on the “vibe” of the studio space, saying how much they felt the art resonated across the walls. Art is such a peculiar thing—it really does need room to speak its piece.
I feel so grateful to have moved into what was Mia Breedlove’s née Carameros studio. The whole process felt like buying a house from someone you genuinely like and respect—it’s a transition that feels right.
A Little Reflection on 2023
For much of 2022 and this year, I worked out of a “temporary” studio at Home Lane, and wow, was it an experience. The building, constructed in 1916, had so much quirky history and charm. It had two huge windows that actually opened to let in fresh air (a rarity!), and the red floor tile cast a beautiful pink glow across the walls. I loved that space—it felt special.
But I missed the community at Canopy. The best thing about Canopy is that you can step out of your studio and find yourself in a conversation with another artist—about art, running an art business, or even just commiserating about the building’s stubborn doors. It’s more than a space; it’s a connection to something larger.
For me, that sense of community, of being part of something bigger than myself, is what it’s all about.
Looking Ahead to 2025
As I settle into my studio and reflect on this past year, I can’t help but feel excited for 2025 (even with the results of the election - boooo!). It’s already shaping up to be an inspiring year. I’m gearing up for new projects, including Threads of Her Story: Quilts and Fashion Through the Early 20th Century, an exhibition that’s close to my heart. It’s a chance to explore stories of history, craftsmanship, and resilience through the often overlooked artistry and labor of the women who crafted not only quilts but also the garments of their time. These items reflect the rich cultural fabric of Austin from the late 19th century through the early 20th century. The exhibit opens January 22nd at the Neill-Cochran House Museum.
I’m also planning to push my art in new directions—experimenting with themes, techniques, and maybe even mediums I haven’t yet explored. My goal is to create work that continues to resonate deeply with viewers, sparking conversations and connections.
Most importantly, I look forward to deepening my relationships with fellow artists, collectors, and the creative community. It’s going to be a year of growth, discovery, and collaboration. I can’t wait to see where this journey takes me—and I’m so grateful to have you along for the ride.
Here’s to 2025!
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